“You Have Such A Pretty Face”

Transcript:

“You Have Such A Pretty Face”

The backhanded compliment— an inferred “but” or “despite” tacked on at the end. The implication that it’s wasted on a body so big, or that it’s a redeeming factor that somehow outweighs (pun intended) being fat. Often associated with slight surprise that such a contradiction could exist— a person who is beautiful and the reviled fat?

All of my life I’ve detested my body; it was learned, of course, through biting comments from family, through shopping in the missus section before I turned ten, through fad diets and sucking it in and cold shoulders and tunics and chairs in public that squeeze my thighs. I lived in fear of someone condemning me for the too-muchness I loathed. Every night before bed I wished for some magical removal or fantasized about cutting it all off. Sometimes I still do. Through sculpture and fiber, I transcribe the violent inclinations I feel towards my own body, as well as projecting the self-tenderness which I want to nurture; the concept of separating and transmorphing my body— a vessel from which I cannot leave— into an inanimate object and destroying it. In this process where I become my own creator and destroyer, I seek to one day discard the notion of too-muchness and revel in my body, my fatness, my enoughness.

Part artist statement, part art piece, “You Have Such A Pretty Face” is laser engraved into mirrored acrylic. In order for the viewer to read the text, they are confronted with their own reflection and in turn, their own role in upholding this cycle of self-violence.

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I Smashed My Face With A Mallet And All I Got Was Some Catharsis